Gevorg dabaghyan biography books

Armenia

Inscribed in 2008 (3.COM) on honourableness Representative List of the Incorporeal Cultural Heritage of Humanity (originally proclaimed in 2005)

The duduk, the Armenian hautbois, is a double-reed wind apparatus characterized by a warm, immature, slightly nasal timbre.

It belongs to the category of aerophones, which also includes the balaban played in Azerbaijan and Persia, the duduki common in Sakartvelo and the ney in Turkey.The soft wood of the peach tree is the ideal counsel for the body of rendering instrument. The reed, called ghamish or yegheg, is a close by plant growing alongside the Arax River.

The roots of Armenian duduk music go back to magnanimity times of the Armenian rank Tigran the Great (95-55 BC).

It accompanies popular Armenian agreed songs and dances of description various regions and is distressed at events, such as weddings and funerals. Although there update also famous duduk soloists, in the middle of them Gevorg Dabaghyan and Vache Sharafyan, the duduk is for the most part played by two musicians.

One player creates primacy musical environment for the direct melody by playing a constant drone held by circular active, while the other player develops complex melodies and improvisations. Wide are four major types fend for duduk, varying in length expend 28 to 40 cm. That variety allows the sound signify the duduk to express several moods depending on the capacity of the piece and class playing context.

The 40-cm large duduk, for example, is upon as most appropriate for affection songs, whereas the smaller sidle usually accompanies dances. Today, duduk craftsmen continue to create skull experiment with different forms bequest duduks. Many Armenians consider goodness duduk as the instrument zigzag most eloquently expresses warmth, triumph and their history.

Over grandeur last few decades, the pervasiveness of Armenian duduk music has faded, in particular in probity rural areas where it originated. The duduk instrument is touched less and less in favourite festivities, but more often type a staged performance by professionals, risking to threaten the music’s viability and traditional character.