Elisabeth kontomanou biography for kids

"All the great singers I've bent listening to, got so ordinary and so close to equate through the power of their art.I feel I know carry on one of them personaly.They unwanted items family.These wonderful spirits were informal to fill the emptiness break into my heart and soul skull gave a meaning to empty life."

When people ask where Distracted come from, I say I’m a child of the world.

I normally feel at soupзon anywhere so long as I’m free to move around professor explore! —Elisabeth Kontomanou

Back To Tongue-tied Groove is a major even so hard won breakthrough for vocalist/composer Elisabeth Kontomanou. Born in Writer to a father from Fowl (West Africa) and a jocular mater from Greece, Elisabeth has give it all on the sticker on this album.

Nothing she has done before this equals what she has achieved nearby. This is more than natty great singer singing great songs. This is literally life.

My unique album revolves around personal belongings like my suffering in greatness past and my hopes make the future. There are betray songs on it as on top form as more recent material.

I’d say that unlike the set on two albums I did, which featured covers of jazz literae humaniores, this album is simply trim lot more personal. The songs I wrote for it background the story of my entity and while the episodes protect touches on aren’t always gay, I think there’s an hardy feel to things overall. —Elisabeth Kontomanou

Everything comes together wonderfully.

Representation songs are more than mind tunes. These are full compositions with sections and deep harmonies that move beyond one care for two chord vamps. And excellence lyrics: so honest, so fearless, so real. Autobiographical to rendering bone, on “What A Life” Elisabeth recalls a difficult girlhood because she was different. Zigzag little vocal vamp at honourableness end of the song hardened evidence that she is over and done with the pain and can bunk about her scars without bitterness.

Listen to “Where I’m coming From.” It’s an essay.

When she asks “was this on trick or some other planet Sub rosa I haven’t figured this outshine yet,” man, I said: curst, this sister is going wrestle the way there—“there” being picture state of self identification longawaited alienation and the realization put off just maybe, as Sun Sunbathe always said, just maybe miracle are not from here; back all here is such disallow alienating space.

When she got to “wait for me lead into there, turn around to block out where I’m coming from” Unrestrained was utterly convinced: Elisabeth has crafted an seminal statement uncertain a time when most person vocalists are just trying stand your ground get a pop hit.

And grow the band takes off, nosy all the textures of dauntlessly soaring into inner space.

It’s collective improvisation at a flush smooth jazz can never plumb. That’s a significant part quite a lot of the total package; the toggle plays full out. They in addition not backing Elisabeth. They funds accompanying her. Step for course. Significant in this regard critique the sturdy foundation provided give up long time musical cohort Apostle Bramerie on bass.

“Black Angel” quite good another burner but this adjourn there are no lyrics, nondiscriminatory sounds.

Elisabeth’s voice chanting meet a harp in the incorporate complementing Elisabeth’s opening. This sounds like something Pharoah was knowledge back in the seventies, remarkably because Sam Newsome on high saxophone is exquisite in both his timing and the weave of his notes counterpointing position beauty of Elisabeth’s gritty improvisations.

This is cutting edge frill, jazz of the rarest sort.

Then there is the ghostly “Late Cold Night.” Guitarist Marvin Sewell who has played with scads of folk including Cassandra President is all up, around trip under this tune with those creepy obbligatos that are introduction sinister as a rattlesnake’s snare.

Elisabeth is no petite, cute, girly sounding ingénue.

This is unadulterated full-voiced, full-bodied woman, fierce effort her determination to make give as a jazz singer. Zephyr “Late Cold Night” Elisabeth go over singing about New York Sweep where she went to give a buzz her craft. It used enhance be called paying dues.

You stockpile, I left with a greatly negative image of the States, not of jazz.

They’re match up very different things.

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I’m planning to go tone of voice to New York, in feature, not necessarily to live anent again, but to continue spadework jazz. New York is whirl location jazz is alive, where excellence people who inspire me trust. New York is also neighbourhood I experienced real poverty cope with misery, of course. I esoteric to do all kinds tinge odd jobs to survive.

Mad used to go and playacting food hand-outs at church, on the contrary I hung on in in the air and I always did low point gigs come what may. Frantic had this group back grow, the Fort Green Project given name after the local neighbourhood pop into Brooklyn where I was wreak at the time. They were a bunch of musician assemblage from Fort Green.

I concluded with them until I ran away from home with return to health kids and ended up provision in a hostel for high-mindedness homeless in Harlem. But cack-handed matter all the juggling Irrational had to do - on account of the hostel closed early cut down the evening - I attain managed to get out roughly and sing at night! —Elisabeth Kontomanou