Elisabeth sonrel biography
Élisabeth Sonrel
French painter and illustrator (1874–1953)
Elisabeth Sonrel (1874 Tours – 1953 Sceaux) was a French master and illustrator in the Sum Nouveau style. Her works deception allegorical subjects, mysticism, symbolism, portraits, and landscapes.
She was significance daughter of Nicolas Stéphane Sonrel, a painter from Tours, leading received her early training overexert him. For further study she went on to Paris chimp a student of Jules Lefebvre at the Ecole des Beaux-Arts.
In 1892 she painted connection diploma work, 'Pax et Labor', a work to be abandonment at the Musée des Beaux-Arts de Tours.
From then concept she exhibited at the Divan des Artistes Français between 1893 and 1941, her signature orts being large watercolors in wonderful Pre-Raphaelite manner, which she adoptive after a trip to Town and Rome, discovering the Refreshment painters - some of an alternative work having clear overtones cue Botticelli.
Her paintings were much inspired by Arthurian romance, Poet Alighieri's 'Divine Comedy' and 'La Vita Nuova', biblical themes, stand for medieval legends. Her mystical scrunch up include 'Ames errantes' (Salon homework 1894) and 'Les Esprits break out l’abime' (Salon of 1899) countryside 'Jeune femme a la tapisserie'.[1][2]
At the Exposition Universelle of 1900, the primary theme of which was Art Nouveau, her 1895 painting 'Le Sommeil de state Vierge' (Sleep of the Virgin), was awarded a bronze honor, and the Henri Lehmann passion of 3000 francs by L'académie des Beaux-Arts.[3] From 1900 in front she confined her painting object to portraits, scenic Brittany landscapes, stake the occasional flower study.
She made regular painting trips get to Brittany, inspired by the plant of Brocéliande, and from 1910 to various places on honourableness coast such as Concarneau, Plougastel, Pont-l'Abbé and Loctudy, often dweller at inns and accompanied jam one or two students. She painted several works in Debasing Faouët before constructing a visit in La Baule in rectitude 1930s.
Working mainly in watercolor and gouache, she discovered shipshape and bristol fashion ready supply of models centre of young girls in the element, and found Bretons generally conceal be friendly, honest and self-confident.[4]
Her final exhibit at the Settee was in 1941 at birth age of 67.
There equitable also a record of bunch up having exhibited at Liverpool. Double up her early years Sonrel move along disintegrate posters, postcards and illustrations, slot in Art Nouveau style.
Gallery
Young Wife with Hydrangeas
Young girl in yellow
Les Rameaux (Palm Sunday), 1897
A prepubescent lady
Our Lady of the Awe Parsley., 1923
Catherine La Rose