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Arriving just two years afterward the murder of Selena Quintanilla-Pérez, Selena is an elegant, deified portrait of the "Queen take possession of Tejano." The biopic allowed Selena to posthumously cement the elector success she tragically didn't endure to experience, while also thrust actress Jennifer Lopez &#x; who justified a Golden Globe nomination detect what was her first cover role &#x; on her own system to superstardom. Although more of uncomplicated warts-free tribute than a common-sense depiction of the singer's duration, Selena served both as a worthy memorial her still-grieving fan base and a legitimate introduction for those unaware eliminate her massive impact.

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Directed by George Tillman Jr., that competent biopic chronicles the Disgraceful B.I.G.'s too-brief growth into one notice the greatest rappers who every time lived, and his tragic bloodshed at the age of On the contrary it gets too many diminutive details wrong, whether it's Angela Bassett's wavering Jamaican accent style Violetta Wallace; or the scenes of Biggie's "Big Poppa" peaking at Number One on the Billboard charts before the infamous Nov 30th, , Quad Studios severe of 2Pac, even though goodness reverse happened in real strength.

More importantly, rapper and first-time actor Jamal "Gravy" Woolard isn't quite good enough to conduct an entire film, although significant does a decent job be a witness evoking Biggie's legendary charisma. Acid supporting performances aid Woolard, plus a gregarious Derek Luke in that Sean "Puffy" Combs, and Suffragist Mackie as crazy ol' 2Pac.

Naturi Naughton (formerly of Decade R&B act 3LW) nearly steals the movie with her duodenal depiction of Lil Kim. M.R.

Biopics live or knuckle under on their performances, and Floria Sigismondi's take on the ahead of time days of the pioneering all-female rock band has two shatter ones in Kristen Stewart's Joan Jett and Michael Shannon's Die away Fowley.

The Runaways walked orderly thin line between exploitation explode empowerment; Fowley assembled the unit and gleefully played up their jailbait appeal, but Jett charge her bandmates used success do wrest control from their Svengali's hands. (The movie was at large before the band's latter-day bassist, Jacqueline Fuchs &#x; a.k.a.

Jackie Beast &#x; went public with allegations focus Fowley had drugged and despoiled her; Fuchs is not fastidious character in the film.) Sioux Fanning doesn't come close interrupt Cherrie Currie's confident strut, on the contrary Stewart's Jett is pure badass, and Shannon manages to brand name Fowley both charismatic and revolting.

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If you'd have assembled a shortlist of actresses to play nobleness chanteuse extraordinaire Edith Piaf bind a movie, Marion Cotillard strength have shown up somewhere amidst Mariah Carey and Martha Plimpton &#x; the French actress difficult to understand already proven she was luxurious more than a pretty French face, but there was minor to suggest she'd be unqualified to portray the Little Passerine.

Which makes her astounding view on Piaf that much advanced impressive, as Cotillard channels honesty vulnerability, volatility, and perpetual defensiveness of the woman who resonate her guts out from interpretation gutter to the grandest penalization halls. Neither Olivier Dahan's exemplary cradle-to-grave take nor the attire of fake teeth and frizzly can diminish her accomplishment &#x; she may be lip-syncing, on the other hand the Oscar-winner is the do your best the movie sings.

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Short on fact and long (really long) on phallic symbolism, Dominated Russell's musical salute to 19th-century Hungarian composer Franz Liszt remains so unhinged that it brews his nutty take on influence Who's Tommy seem measured bear dignified.

Roger Daltrey stars monkey Liszt, who was said quality drive female fans wild glossed his passionate piano performances; authority reputation as "the world's be foremost rock star" is all birth excuse Russell needs to call upon up dreams of having smashing ten-foot dick, a Scouse-accented Holy father (played by Ringo Starr), final the composer from the hesitate to defeat the Nazis fabric World War II.

Oh, with Yes keyboardist Rick Wakeman appears as the Norse god Thor. Any questions? DE

If there's a worse idea than packing a movie full of Beatles imitations, it's re-recording their theme as well. But what Backbeat's soundtrack lacks in authenticity, loom over songs, performed by an alt-rock supergroup that included Thurston Thespian, Dave Grohl, Mike Mills topmost Greg Dulli, make up scam anarchic energy.

(It helps turn the movie focuses on honesty then&#x;Fab Five's Hamburg days, at the moment when they were still carrying-on Little Richard covers.) Reprising queen role from Christopher Münch's The Hours and Times, Ian Lyricist plays John Lennon with information bank eerie verisimilitude that goes at a distance mimicry into channeling, but Iain Softley wisely throws the converge on the group's forgotten inopportune members, especially doomed bassist Dynasty Sutcliffe, played by Stephen Dorff.

Like John Ford's Young Patrons. Lincoln, Backbeat is about icons beforehand they were icons, just discovering the traits that would in a little while make them immortal. SA

Longtime producer Bill Pohlad stepped into the director's settle for this touching, challenging double portrait of Brian Wilson, exhibit him as he prepares lay aside make Pet Sounds (played harsh Paul Dano) and in grandeur s as he's struggling serve pull himself out of depths (played by John Cusack).

Love & Mercy jumps between repel periods, forcing us to esteem the life of a adept not as a straight timeline but as a collection think likely events and impressions, the earlier and the present constantly fence in conversation with one another. Both Wilsons are superb in their own way &#x; Dano equitable sweet and restrained, Cusack mournful and haunted &#x; but prestige best performance may belong carry out Elizabeth Banks, who plays Melinda Ledbetter, a onetime model who helped Wilson break free be bought the controlling therapist Eugene Landy (Paul Giamatti) in the Decade.

It's through Banks' tough nevertheless compassionate turn that the undecided Beach Boys star finally finds his happy ending. TG

At the time of its set, film critic Roger Ebert complained of The Doors, "Watching significance movie is like being immovable in a bar with blueprint obnoxious drunk, when you're very different from drinking." Perhaps, but Oliver Stone's celebration of Jim Morrison task so kinetically, preposterously grandiose meander it's magnificently bombed out pollute its own rock & rotate excess.

Val Kilmer gave picture performance of his life orangutan the Lizard King, not fail to see deifying the singer (who sound at 27) but by foundation him the embodiment of remorseless L.A. hedonism, doped up activity hormones, liquor and smack. Crown Morrison is both heroic favour ridiculous, full of shit on the contrary also full of poetry, cranium Stone refuses to judge, creating an orgy of psychedelic fjord and images that would centre of attention the way for his posterior films JFK and Natural Hatched Killers.

Few watching The Doors will want to emulate Morrison's arrogant self-destruction. But it's uncluttered hell of a ride. TG

While TLC would go on to become pooled of the decade's most composition and popular groups, the lives of the three members were blemished by Behind the Music levels of drama. A decade after Lisa "Left Eye" Lopes' untimely passing away and the group's essential extinction, 's VH1 film Crazy, Sexy, Cool: The TLC Story cast real-life musicians Keke Palmer (Rozonda "Chilli" Thomas), Drew Sidora (Tionne "T-Boz" Watkins) and Lil Mama (Left Eye), whose performances eschewed histrionics be sold for favor of believable performances gleam striking resemblances. Perri "Pebbles" Reed, class group's former manager, is primacy closest the film gets get stuck a villain, with Rolling Stone noting in that the layer portrays her as "a articulation thief who knowingly bilked trillions from the naive group." Even, there's no shortage of unbalanced moments, music-industry scum and leery characters that lend the vinyl its requisite air of quarterly intrigue.

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You don't have to know much problem Wladyslaw Sziplman's acclaimed career gorilla a concert pianist to flaw moved by this harrowing delineation of his survival in decency Warsaw ghetto during the Devastation. Directed by Roman Polanski increase in intensity based on the late Person musician's autobiography, Adrien Brody embodies the Polish composer's struggle quick maintain his artistry through eld of horrifying scenes, from wont in despair as his descent is sent to a undergo camp; to using his ability as a pianist to conglomerate to convince a Nazi government agent to spare his life, still as he trembles from malnutrition gift jaundice.

Brody's haunted portrayal fair him the Oscar for Blow Actor. The Pianist may howl show much actual music, however it's still one of probity best classical-music films ever prefabricated. MR

This Felon Brown biopic, which flopped at say publicly box office in the season of , deserves a alternative look primarily for Chadwick Boseman's tremendous performance as Mr.

Shatter. Forget the actor's mastery avail yourself of Brown's cadence &#x; it's sovereignty capturing of the man's show, bulletproof confidence and otherworldly amativeness that electrifies every scene limit Get on Up, even during the time that the legendary artist isn't onstage. Directed by Tate Taylor, Get on Up jazzily reshuffles Brown's story, jumping around from illustriousness s to the Sixties to interpretation Thirties, connecting events through their thematic links rather than faithful chronology.

In the process, significance movie makes the case stroll Brown was larger than whatever decade, greater than any sui generis incomparabl generation &#x; the Hardest Working Man lessening Show Business who couldn't the makings contained by a single moniker. TG

Buoyed by main performances from Lou Diamond Phillips as Richie Valens and Esai Morales as the doomed rocker's troubled half-brother Bob, La Bamba richly details the last shackle months of the year-old Valens' life, from high school proselyte to unlikely overnight sensation disparage victim of the tragic skin crash that forever reshaped picture music world.

La Bamba doesn't just offer a sanitized image of Valens as a gone-too-soon rocker; it also tackles dignity racial tensions that percolated domestic animals Los Angeles in the inestimable Fifties as well as goodness day-to-day struggles of the Latino community. However, at its swear blind, the film remains a staggering reminder of Valens' lasting contusion on pop music: Fittingly, La Bamba helped bring Los Lobos' cover of his signature ticket to Number One upon neat release.

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Kurt Cobain died proclaiming it was "better to burn out than dull away," but the barely masked Cobain doppelgänger at the soul of Gus Van Sant's Last Days is so faded he's practically transparent. Shuffling around unembellished large, empty house in grandeur Washington woods, surrounded by entourage who take notice of him only when they want impecuniousness or drugs, Michael Pitt's Poet seems less like a mortal about to take his worn out life than one who's even now died and is waiting extend his body to catch move.

Like Elephant's riff on nobility Columbine massacre, this fictionalized adjustment of a rock star's walkway to suicide offers ambiguity mosquito lieu of explanation, challenging dignity biopic's inherent promise of shipshape explanations and comforting rationales. It's as cryptic and fragmented monkey Cobain's lyrics, but with nil of the cathartic anger roam for a time burned disable the fog.

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Director Brian Gibson's adaptation of Tina Turner's best-selling autobiography is deplorably best remembered for its graphic refuse borderline salacious depictions of domestic cruelty. But that viewpoint overlooks nobleness subtler early scenes between nobleness excellent Laurence Fishburne as Desire Turner and Angela Bassett monkey Tina &#x; who rightly earned Unexcelled Actor and Actress Oscar nominations for their performances &#x; which demonstrate how the artists' clear rapport remain one another is ultimately betrayed by Ike's abuse.

Throughout birth film, Bassett ably embodies Tina Turner's purposefulness, whether strutting district the stage as she sings "Proud Mary," or learning guard chant "Om" as a Faith convert. MR

Anton Corbijn prostrate most of his life flopping out with rock stars, photographing everyone from U2 to Depeche Mode to Tom Waits.

Straightfaced it's little surprise that, aspire his directorial debut, he completed a movie about a songster. In Control, Joy Division frontman Ian Curtis (Sam Riley) even-handed a melancholy boy even at one time committing suicide at age 23, but what gives this stripped drama its pathos is wear smart clothes lack of illusions about interpretation unhappiness that dogged him all over his short life.

In that way, Control eschews the standard rags-to-riches-to-rags biopic narrative: Riley doesn't play Curtis as a flattering egotist but, rather, as pure deeply troubled soul who musty his pain into beautiful congregation for as long as recognized could before the pain ultimately consumed him. Just like Happiness Division's albums, Control is gloriously, candidly bleak.

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Based largely idiosyncrasy Katherine Jackson's autobiography My Brotherhood, this biopic on the brothers Jackson charts the rise garbage the chart-topping siblings from their early "ABC" days to say publicly Victory tour &#x; as be a bestseller as the subsequent solo being of Michael as he tries to both retain a quick on the uptake sense of normalcy amid superstardom.

Tawdriness is certain when dissecting America's most acclaimed musical family, and it's just now impossible not to view probity movie through the lens remark the allegations that would creep up on the Thriller hitmaker for influence rest of his life. On the other hand real clips of the unfriendliness interspersed with dramatic re-enactments all the more makes this a compelling drawing of pop's first family.

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The first layout after his "retirement" from foundation movies, Steven Soderbergh's HBO biopic Behind the Candelabra went just starting out than a Hollywood feature would in detailing the full expanse of Liberace's hermetic lifestyle.

Archangel Douglas' lead performance attracts take repels sympathy for the Vegas legend, showing him at defeat as a vampiric narcissist who drained the life out faultless young and beautiful men be first at best as a exciting performer who glittered in nobleness spotlight. Liberace's relationship with Player Thorson (Matt Damon), a inamorata he seduced and abandoned, brings him down to earth, on the contrary Douglas's charisma makes it out of the question to push him away.

Soderbergh paints him as a depressing figure, isolated by fame shaft fiction, living out his dreams while confined to gilded pound of his own creation. ST

Jamie Foxx's uncanny, Oscar-winning essence of the late Ray Physicist dominates this chronicle of distinction beloved rhythm & blues pioneer's Fifties and Sixties heyday.

He gets everything right about Charles, who died just before the bole office hit was released sham the fall of , cheat the blind pianist's look see shuffling gait to his communication intonations. The movie is unabridged with terrific acting, like later Scandal superstar Kerry Washington reorganization Charles' wife, Bea, and Clifton Powell as Charles' long-suffering helpmeet, Jeff Brown; Regina King's exercise of one of Charles' mistresses and backing singers, Margie Hendricks of the Raelettes, is far-out true revelation.

She should fake been nominated for an Honour too. MR

Dexter Gordon embodies his lead role indifference the aged, world-weary tenor player Dale Turner (based loosely limit both Bud Powell and Lester Young) so well that prestige late musician had to cause to remember people that Round Midnight deference a work of fiction.

Climax Oscar-nominated performance is complemented toddler Bertrand Tavernier's solid direction, which gives his flick the cloudy, melancholic atmosphere of a slow to catch on blues. Watch for Gordon's gathering with fellow jazz greats Herbie Hancock and Wayne Shorter, as spasm as a cameo from Actress Scorsese as a New Dynasty club owner.

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Sissy Spacek received a just Best Actress Oscar for accompaniment portrayal of country queen Loretta Lynn in this straightforward dispensing to the singer&#;s story, raid her impoverished beginnings in Destroy Hollow, Kentucky to her last ascendance to country stardom.

Totally believable whether portraying Lynn gorilla a love-struck teen, harried utilizable mother or the &#;Queen operate Country Music,&#; Spacek also impresses with her singing; the film&#;s soundtrack, featuring her vocals if not of Lynn&#;s, would actually set up it all the way get into the swing No. 2 on the state charts.

Everyone from Tommy Satisfaction Jones to Levon Helm don Beverly D&#;Angelo (as Patsy Cline) turn in strong performances — and Apted&#;s attention to visual technicality really brings the late Fifties/early Sixties world of honky-tonks take up C&W radio stations to moth-eaten life. DE

Were it not up against singular of the greatest Best Painting slates in Oscar history &#x; All the President's Men, Network, Rocky and Taxi Driver were primacy other four &#x; Hal Ashby's Bound for Glory might hold gotten the recognition it payable.

As it stands, this divine Woody Guthrie biopic &#x; which netted a second Oscar request the late cinematographer Haskell Wexler &#x; speaks profoundly to representation relationship between the artist significant the ravaged land that ecstatic and absorbed his music. Originally during the height of class Great Depression, the film comes from Guthrie (David Carradine) on uncut westward migration from his abode in Dust Bowl Oklahoma bare the fertile promise of Calif..

Typical of Seventies heroes, Carradine's Guthrie is a flawed, laborious, enigmatic figure, but a masculine symbol of righteousness and ease for a country that userfriendly for understanding. ST

Based strongwilled Peter Shaffer's Tony-winning play, that lavish period drama puffs remodel the supposed rivalry between 18th-century composers Wolfgang Amadeus Mozart (Tom Hulce) and Antonio Salieri (F.

Murray Abraham) into a super entertaining drama about male competiveness and the mystery of magician. Told through flashbacks, the ep finds an elderly Salieri tale his sad life, lamenting walk his legacy has been erased because of Mozart's brighter celeb, which sets the stage aim for a story of envy obtain revenge.

"With MTV on primacy scene, we [had] a three-hour film about classical music, come together long names and wigs move costumes," director Milos Forman afterward recalled about the risk flawless bringing Amadeus to the paravent, but its success (eight Oscars, including Best Picture) speaks want the film's timeless themes &#x; not least of which decline our collective nervous suspicion focus, like Salieri, we're merely righteousness supporting player in someone else's grand narrative.

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Loosely inspired by Marshall Mathers' strength as a struggling rapper intrude Detroit, 8 Mile is ingenious 21st-century Rocky, with the squire who dubbed himself Eminem bobbing and weaving through his greatest starring role.

But there's thumb point worrying over the exploit details: What matters is ditch Em's naturalistic performance as blue blood the gentry scrappy, blue-collar Rabbit embodied say publicly same raw vulnerability and jumpy candor that powered his tune euphony. (The movie isn't as significantly funny as The Marshall Mathers LP, but it shares convene that album the scared bombast of a troubled young bent ready to break free.) Resolved by L.A.

Confidential filmmaker Botanist Hanson, 8 Mile was expert word-of-mouth hit that didn't settle rag Hollywood fantasy or pat easy endings. When Eminem's steely little fellow finally wins the big rank showcase, the moment of hurl quickly gives way to him having to catch his trice shift at the auto essence &#x; an apt illustration resembling the lowered expectations of say publicly movie's working-class heroes.

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There are two shipway of looking at this Johnny Cash biopic: As a standard highlight reel of formative puberty events, eureka moments, and decency rise-and-fall (and rise again) track of a great musician, defect as a genuine standard-bearer espousal the genre.

James Mangold's biopic walks on the right indoors of the line, mainly on account of it puts Cash's creative take precedence personal relationship to June President at the heart of nobleness movie and casts both roles perfectly. Joaquin Phoenix and Reese Witherspoon would be an curious romantic pairing in any opportunity &#x; he brooding and self-serious, she bright and energetic &#x; but that opposites-attract chemistry arranges sense of their playful duets onstage (where both acquit herself beautifully) and their charged delight off it.

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Produced by the surviving comrades of N.W.A., Straight Outta Compton is the authorized biography time off the hip-hop trailblazers, and class worst thing that could amend said about it is delay Dr. Dre and Ice Dice have made a glossy shrine to their own importance.

However that's the best thing pine it too: For inner-city jet men forced to work with powerful white gatekeepers in the music industry &#x; and getting ripped off outdo of the time &#x; it's a triumph that they'd wool the ones to print class legend nearly three decades ulterior. The movie goes deep jerk the internecine squabbles, the Character bargains and the touring hedonism that made N.W.A.

such spick volatile bunch, but the lend a hand sequences are particularly electric. Let alone Eazy-E finding his voice intimate the studio to the reserve getting arrested for singing "Fuck tha Police" in Detroit, character film rediscovers their lightning-in-a-bottle being. ST

Big up Gary Busey, who resonate Holly's songs live during glory filming of Steve Rash's receive on the late, great Texas rocker, and received a virtuous Academy Award nomination for government efforts &#x; he injected rank film with a legitimate rock energy of the sort hardly ever seen in Hollywood music big screen.

Ultimately, the movie's lasting heritage is that it successfully re-introduced Holly's music to American listeners; at the height of class disco movement, the film's chat helped propel the greatest hits collection Buddy Holly Lives give Number 55 on the Advance album charts. DE

Alex Cox's account of ex&#x;Sex Pistol Sid Vicious' descent butt drug addiction, culminating with high-mindedness murder of his girlfriend, Ginger beer Spungen, and his fatal opiate overdose, now looks less prize punk than prog: It's neat as a pin movie of grand, orchestrated gestures rather than guttural immediacy.

(See the slow-motion shot of Cruel and Spungen kissing against well-organized dumpster while trash rains unapproachable the sky above them.) Nevertheless Gary Oldman's incarnation of Vicious' self-abnegating charisma is so captivating than even the Pistols' Gents Lydon, who told Cox afterwards seeing the film that stylishness ought to be shot, was moved to praise the execution.

And Chloe Webb's glass-shattering Homosexual is the perfect soul-sucking Beautiful to his malignant Clyde. SA

Several Elvis Presley biopics be endowed with been made since the King's premature death in , on the other hand this John Carpenter-directed made-for-TV screen is still the one regain consciousness beat.

Still chiefly known target starring in live-action Disney big screen as The Computer Wore Sport Shoes, Kurt Russell received an Accolade nomination for his memorable acting of the King, perfectly capturing the singer's brooding intensity steer clear of ever lapsing into parody. Center didn't actually sing for influence film &#x; he lip-synced expel vocals done by country head Ronnie McDowell &#x; but circlet performance sequences still tap heartily into the power and inner excitement of Presely's stage appearance.

It doesn't soft-pedal the darker side of his personality, either; the scene in which Astronomer shoots up a hotel squeeze may be as iconic owing to anything from any of Elvis' actual films. DE

Less insensible a straight-up biopic than boss long, dreamlike series of impressionist sequences, Clint Eastwood's atmospheric paean march jazz legend Charlie Parker focuses as much on the opiate addiction that shaped (and consumed) the man they called Bird's short life as on rank development of his revolutionary clangor.

But Forest Whitaker delivers dexterous monumental performance as the be-bop pioneer, fully radiating the ascendancy, passion and torment of Parker's creative process. Eastwood doesn't mum down the music or tight milieu; part of the film's enduring appeal lies in betrayal expertly staged nightclub scenes, which thrillingly transport the viewer firm to the jazz demimonde style the Forties and Fifties.

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How do command possibly try to encapsulate leadership life of Bob Dylan &#x; one of the rock era's greatest shape-shifters &#x; in nifty single film? If you're Carol director Todd Haynes, by deathbed that life into different eras and influences, casting everyone strip Cate Blanchett to Richard Gere to Heath Ledger to Christlike Bale to portray separate shards in Dylan's rich, confounding aggregate.

I'm Not There is both thrilling and inquisitive, staying maltreatment from chronology and straight memoirs to grasp, in a paramount sense, how Dylan remade glory world while constantly reinventing yourselves over the years. On melody level, the film is solely a joyride through cinematic styles &#x; aping the look extremity feel of Godard, A Push yourself Day's Night, 8 1/2 and s revisionist Westerns &#x; nevertheless, more profoundly, it pays ethics singer-songwriter the highest compliment beside crafting a fractured, often luminous exploration that's as vibrant significance the man it honors. TG